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Hope just cleared 3.4 million tickets. The easy weekends are almost over.

Na Hong-jin's Hope added 767,365 weekend admissions to reach 3.42 million total and held Korea's No. 1 for a second weekend, while advance bookings already tilt toward Spider-Man and Neon still holds September 9.

Mina Park5 min read
Director Na Hong-jin speaks into a Hope-branded microphone at a 2026 press event for the film.
Context image: Director Na Hong-jin speaks into a Hope-branded microphone at a 2026 press event for the film. Korea.net (CC BY-SA 4.0)

Hope is no longer just the fastest opener of 2026. It is a legs story.

Korean Film Council weekend tallies put Na Hong-jin's Cannes Competition sci-fi at 767,365 admissions from Friday through Sunday, enough to hold No. 1 for a second straight weekend. Cumulative admissions sat at 3,415,709 as of Sunday, clearing three million on day eleven. Minions & Monsters and the live-action Moana remake filled the next Hollywood slots. The Eyes (Shin Min-a) and Colony kept Korean titles in the Top 10 at sixth and ninth.

Our earlier argument-engine Scene Report tracked the first five days, when disagreement itself recruited tickets. This week is the quieter receipt: second-weekend dominance after the holiday spike faded, still north of three million before the summer calendar turns hostile. Advance bookings have already flipped. Spider-Man: Brand New Day was taking roughly 68 percent of real-time reservations by Monday, with Christopher Nolan's Odyssey next and Hope slipped to about 9 percent. The solo run that opened above 60 percent of advance demand is ending.

That is the useful frame for diaspora readers waiting on Neon. North American theaters still open September 9. Comic-Con already sold the Ballroom 20 footage window. Korea now has to prove the film can hold seats after the argument week and after two Hollywood tentpoles land. Pair with the Na Hong-jin People profile if you want the Wailing-to-Hope career line. Our take: 3.4 million is real. The next weekends decide whether it stays a phenomenon or becomes a strong opening that Hollywood weather cuts short.

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