What to Watch
Streaming, cinema, dramas, comfort watches, and our favorite titles.
Joko Anwar's Ghost in the Cell leads Indonesia's Citra nominations with 12 categories. Wregas Bhanuteja's Para Perasuk and Ryan Adriandhy's Na Willa follow with nine. The ceremony is November 20 in Jakarta.
Image: CaseyJNewell (CC BY-SA 4.0)
Eddie Cahyono's Ibuku, starring Christine Hakim, has premiered in Busan competition. She plays a Javanese widow trying to reach a daughter on death row in Saudi Arabia. The festival runs through October 15.
Image: D.W. Fisher-Freberg (CC BY-SA 3.0)
This weekend's finished queue: all 10 episodes of Take Charge of My Heart are on Netflix, and 100 Days of Deception starts Saturday in the tvN slot Four Hands just left. Watch two episodes of the new one, then stop.
Image: Netflix
Michelle Yeoh accepted BIFF's Asian Filmmaker of the Year award on October 6, her first Busan carpet since The Lady in 2011. The next morning she talked about playing 70 in It's My Time, and about wanting to work with Lee Chang-dong.
Image: BIFF / Screen Daily
Ahn Pan-seok’s final drama, Between Steps, premieres Oct. 5 on ENA in Korea and on Disney+ and Hulu in the U.S., with Choo Young-woo and Kim So-hyun as robotics grad students figuring out how to fall in love.
Image: ENA
Apple TV dropped the trailer for Awkwafina: The Unlikely Cook, an eight-episode food docuseries premiering November 6. Nora Lum tries to revive her family’s Flushing restaurant while admitting she cannot cook.
Image: Apple TV
This weekend’s finished queue: Four Hands, Two Sonatas episodes 11 and 12 on Netflix, the new Tamil series #Love if you want a closed six-episode binge, then Demon Slayer: Infinity Castle for one long movie night.
Image: tvN / CJ ENM
Well Go USA opens Wen Muye’s Once Upon a Time in the Middle East in U.S. and Canadian theaters October 9. Shen Teng leads the China summer hit about a Chinese chef whose restaurant becomes a wartime refuge.
Image: Well Go USA Entertainment
Celine Song’s Oscar-nominated debut still follows Nora and Hae Sung across 24 years between Seoul and New York. In late 2026 it is often a rent-or-buy in the U.S. and on Crave in Canada. Here is why it remains the right quiet night.
Image: Martin Kraft (CC BY-SA 4.0)
Song Hye-kyo’s school-violence revenge thriller still streams on Netflix in the U.S. and Canada. Here is why The Glory remains the sharp gateway after softer K-drama nights.
Image: K-POPIT 케이팝잇 (CC BY 3.0)
IU and Park Bo-gum’s Jeju epic finished March 2025, topped TIME’s best K-dramas list, and is still streaming on Netflix in the U.S. and Canada. Here is why it remains the right long weekend start.
Image: K-POPIT 케이팝잇 (CC BY 3.0)
Netflix's The Scandal opened at No. 7 among non-English shows. Korean viewers have been cooler on the eight-episode Joseon remake of Dangerous Liaisons. Here is who the weekend is for.
Image: Netflix
Lee Chang-dong's first film in eight years opened in Korean theaters today after the Venice Silver Lion. A few North American screens follow Oct. 23. Netflix has the rest of the world Nov. 6.
Image: Joo Jae-bum / Netflix
Asia already takes the largest regional slice of global box office and posted double-digit music growth in 2025. Hollywood still mints event movies. It is also selling fewer seats, thinner slates, and a merger stuck in court.
Image: I Dare U JK (CC BY 3.0)
Netflix's Thai original Delusion lands Thursday, Sept. 24. A Chiang Khan teacher tries to prove her father has dementia after the town decides he is a Phii Pong.
Image: Netflix
Netflix greenlit Outback, an Australia-set Korean mystery from the webtoon G'Day, with Jung Ho-yeon, Ryu Jun-yeol, Hong Kyung, Won Ji-an, and Justin H. Min. No release date yet.
Image: Netflix
Rubaiyat Hossain's The Difficult Bride became the first Bangladeshi feature in Venice Orizzonti, then heads to TIFF with ticketed screenings mid-September. The Soft Power story is bridal beauty turned into feminist body horror.
Image: Films Boutique
UCLA's 2026 Hollywood Diversity Report found BIPOC leads in streaming films fell from 51% in 2024 to 36% in 2025. Asian actors remained underrepresented as leads even as Asian-led titles kept drawing audiences.
Image: AramilFeraxa (CC BY 4.0)
Madame in Saigon opens Friday, August 28 in more than 200 North American theaters, after a Los Angeles premiere Wednesday with Thanh Hằng. The two-hour period drama draws on a real 1963 Saigon acid attack, and Hồng Ánh is the performance worth the ticket.
Image: Reel Citrus / Live On
This weekend's finished queue: Four Hands, Two Sonatas episodes 1 and 2 on Netflix, Married Woman Killer episode 10 on Saturday, then Spooky in Love as a closed binge if you missed Sunday's finale.
Image: tvN / CJ ENM
Cinemalaya split Best Actress between Ruby Ruiz in Status: Rejected and Pokwang in 2 Valid IDs. In Manila, both wins had decades of work behind them.
Image: Kristofer Purnell / Philstar.com
The fourth ASEAN Film Festival opens August 20 in Hong Kong with more than 30 films from all 11 ASEAN countries, Timor-Leste included. The bet is the city as a circulation desk for Southeast Asian titles that still struggle to leave home.
Image: ASEAN Film Festival / Hong Kong-ASEAN Foundation
Thai, Indonesian, and Vietnamese films are smashing local box offices, and Netflix is greenlighting Southeast Asia faster than ever. The K-drama moment still has not arrived because the region is many languages, theatrical-first, and horror-shaped, not one serialized export machine.
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Take Off opens in U.S. theaters September 17, giving Pengfei’s warm, working-class flight story a wider run after Tokyo, New York, and a $12 million Chinese release.
Image: Orchid Tree Media
Dear You turned a $2.1 million Teochew-language family drama into a roughly $291 million global hit. Its new U.S. trailer sets up a Sept. 4 release after an earlier North American date vanished and Well Go USA took the handoff.
Image: Well Go USA / Damai Entertainment
Bing Chen’s Gold House is launching Gold House Studios, moving from Gold Open campaigns and consulting into producing film, TV, and digital itself, with Karen Fukuhara’s Akiya leading the first slate.
Image: Auokay (CC0)
JoySauce TV, the free American Asian FAST channel from Jonathan Ng Sposato’s JoySauce, has launched on The Roku Channel after Prime Video and Plex, calling itself the first AAPI channel on Roku.
Image: JoySauce
Spider-Man: Brand New Day, directed by Destin Daniel Cretton, is India’s highest-grossing Hollywood film after about $52.8M in 11 days, passing Avatar: The Way of Water in a market local cinema still dominates.
Image: Marvel Studios / Columbia Pictures
AAIFF closes tomorrow. CAAMFest and VC Film Fest wrapped in May, and Reel Asian’s 30th is November. These fests fund, mentor, and premiere work that Hollywood still treats as a side bet.
Image: Hisako Films / Significant Productions
Dating shows, competition formats, and personality-driven reality are traveling as remakeable IP. Korean variety no longer needs the original cast to become internationally famous to sell abroad.
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The Ribbon Hero lands on Netflix August 8, adapting Osamu Tezuka’s Princess Knight for a global streamer audience. The useful question is not the runtime. It is why this particular heroine is being revived now, and what a 1950s gender experiment becomes in a calamity story.
Image: Twin Engine / Netflix
TIFFCOM is expanding its Tokyo IP Market and adding anime and AI sessions for 2026. The story is not the conference calendar. Japan wants to export adaptable story worlds, and Tokyo is trying to become where those rights get packaged for global buyers.
Image: Syced (CC0)
For years the goal was positive representation. The real arrival is messier: Asian actresses playing selfish, glamorous, manipulative, coldly ambitious women who are not there to make anyone proud. Complexity, not virtue, is the win.
Image: Martin Kraft (CC BY-SA 4.0)
DataEye puts overseas AI dramas and comic-format shorts on a path from about $100 million in 2025 to $650 million in 2026. Inside China, Q1 microdrama output was already more than 95 percent AI-made.
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tvN’s My Bias, My Boss premieres August 3 at 20:50 KST with Kim Hye-jun as a lifelong idol fan, Kang Hoon as her CEO, and Cha Woo-min as the bias who pulled her into the fashion startup.
Image: tvN / CJ ENM
WOWOW will air a six-episode adaptation of Riku Onda’s Eugenia, published in English as The Aosawa Murders, from Nov. 8, with Yukino Kishii in her first WOWOW lead and international rights headed to TIFFCOM and ATF.
Image: WOWOW
Married Woman Killer episode 2 hit 8.0 percent nationwide, up from a 7.4 percent premiere, topping Friday-Saturday dramas as Gong Hyo-jin’s MBC return holds the post–Agent Kim slot.
Image: MBC
This weekend’s finished queue: Spooky in Love episodes 5 and 6 on Netflix, Gong Hyo-jin’s Married Woman Killer episode 2 on MBC, then Wild Sing as the film binge if you want one closed story.
Image: tvN
Beef Season 2 landed 16 Emmy nominations after an April 16 Netflix drop that opened softer than Season 1. Youn Yuh-jung and Song Kang-ho put Korean chaebol power over Montecito, while Charles Melton’s Austin finds Koreanness on the job.
Image: Netflix / A24
Reel Citrus and Live On are bringing Mesdames Thanh Sắc to North American theaters as Madame in Saigon on Aug. 28, with Thanh Hằng at an LA premiere and an Orange County junket aimed at Vietnamese diaspora audiences.
Image: Reel Citrus / Live On
Philip Wang is putting Wong Fu Productions back into features with Sung, a $500,000 romantic dramedy with open casting after years of studio bounce, and a pitch to build an Asian American indie pipeline.
Image: Wong Fu Productions
The 49th Asian American International Film Festival runs July 30–August 9 in NYC and online, opening with Indonesian Levitating, centering Isle Child, and closing with Hoop Like This.
Image: Asian CineVision / AAIFF49
Chiikawa the Movie: The Secret of the Mermaid Island opened at No. 1 in Japan with about 1.51 million admissions and ¥2.24 billion in three days, after a ¥990 million opening day.
Image: © Nagano / 2026 Chiikawa Movie Production Committee
Teach You a Lesson entered Netflix's all-time non-English Top 10 at No. 10 with 60.2 million views eight weeks after premiere, the first Korean series outside Squid Game to hold a seat on that board.
Image: Netflix
Na Hong-jin's Hope added 767,365 weekend admissions to reach 3.42 million total and held Korea's No. 1 for a second weekend, while advance bookings already tilt toward Spider-Man and Neon still holds September 9.
Image: Korea.net (CC BY-SA 4.0)
For the July 13–19 week, Agent Kim Reactivated held Netflix non-English No. 1 with 8.2 million views while The East Palace debuted at No. 2, and three more Korean titles filled half the global chart.
Image: Netflix
Agent Kim Reactivated closes tonight with episode 10 on SBS and Netflix after climbing from a 9.5 percent premiere to 23.1 percent and three straight weeks at Netflix non-English No. 1. The short run was the flex.
Image: SBS
Disney Korea says A Shop for Killers Season 2’s July 22 drop was the most-watched Korean original first day worldwide on Disney+, beating Season 1 and topping APAC Korean content the same day.
Image: The Walt Disney Company Korea
This weekend’s finished queue: Agent Kim Reactivated episodes 9 and 10 on Friday and Saturday, Spooky in Love episodes 3 and 4, then Wild Sing on Netflix next Thursday.
Image: SBS
San Diego’s Thursday Gundam stream named Mobile Suit Gundam RG XARX-ZERO, a 2027 TV anime from Kenji Kamiyama set in a new After Apocalypse timeline that already shares continuity with Gundam Rogue Orbit.
Image: SUNRISE / SOLA ANIMATION / Bandai Namco Filmworks
Na Hong-jin’s Hope lands in Ballroom 20 at 4:30 p.m. PT with Jung Ho-yeon introducing and exclusive footage ahead of Neon’s September 9 North American release. Same Thursday stage as Ramayana, different soft-power bet.
Image: Neon / Plus M Entertainment
Preview Night is underway in San Diego, but the anime story lands Thursday: Bandai unveils a new Gundam series in Room 6BCF, then carries the same news on a worldwide YouTube program. Badgeless fans still get a real open.
Image: SUNRISE / SOLA ANIMATION / Bandai Namco Filmworks
Na Hong-jin's Hope crossed about 2.13 million Korean admissions in five days, the fastest pace of 2026, while Naver scores split between love and hostility. The same Monday, NYAFF screens it as centrepiece with Na collecting the Daniel A. Craft Award, months before Neon's September 9 North American release.
Image: Gabriel Hutchinson (CC BY-SA 4.0)
Ampere's Q1 commissioning map and Netflix's H1 viewing report tell the same story from different angles: Korea and Japan keep exporting hits, Southeast Asia is where new greenlights are accelerating, and India is winning on volume and theatrical reach.
Image: Netflix
Mid-July Weekend Stream: binge Netflix's The East Palace tonight, start Park Eun-bin's Spooky in Love on Saturday, keep Agent Kim Reactivated appointment, and bookmark Wild Sing plus Obon weekend if you leave the couch.
Image: Netflix
Spooky in Love premieres July 18 on tvN and Netflix, remaking the 2011 film Spellbound with Park Eun-bin as a ghost-seeing hotel heiress and Yang Se-jong as a prosecutor who is terrified of spirits.
Image: Marie Claire Korea (CC BY 3.0)
Netflix will stream Wild Sing worldwide on July 31, taking Gang Dong-won, Um Tae-goo, Park Ji-hyun, and Oh Jung-se's early-2000s co-ed idol comedy from Korean theaters to a 32-language subtitle rollout.
Image: TV10 (CC BY 3.0)
ENA's The Scarecrow finished strong with Park Hae-soo and Lee Hee-joon, built real cable heat in Korea, and still sat outside the loudest North American K-drama chatter. Here is what the series is, and why the buzz gap matters.
Image: Rakuten Viki / Studio Anseillen
Paramount and HYBE America locked the title K-Pop: The Debut and a February 26, 2027 theatrical date for Benson Lee's live-action K-pop survival drama, starring Ji-young Yoo and Eric Nam.
Image: Variety
Three episodes in, Agent Kim Reactivated is already the highest-rated Korean miniseries of 2026. The July 3 episode drew an 18.8 percent nationwide Nielsen rating, putting So Ji-sub's father-revenge drama at the center of Korea's summer TV conversation.
Image: SBS
It's Not an Affair lands on Coupang Play July 31 with Kim Hye-soo and Jo Yeo-jeong as neighbors whose curated family brands collapse faster than any cheating headline. The show treats happy-home content as wage labor, not wallpaper for scandal.
Image: Marie Claire Korea (CC BY-SA 4.0)
Netflix's The East Palace lands July 17, 2026 as Nam Joo-hyuk's first Korean series after military discharge, a horror-fantasy pivot with production fire history and romance-brand baggage.
Image: beautypl / Wikimedia Commons (CC BY 3.0)
July 2026 is an attention auction, not a catalog problem: East Palace anchors Nam Joo-hyuk's comeback, June carry titles still deserve catch-up, and Wonderfools waits on word of mouth while Cha Eun-woo is offline.
Image: Netflix
A late-June weekend queue mixing Husbands, Teach You a Lesson, Drishyam 3, and The Season before Nam Joo-hyuk's East Palace owns July 17, with one LA festival bookmark on deck.
Image: Prathyush Thomas (GFDL 1.2)
Netflix's The East Palace dropped all eight episodes on July 17, 2026, with Nam Joo-hyuk as spirit slayer Gu-cheon alongside Roh Yoon-seo and Cho Seung-woo in a Joseon palace curse mystery.
Image: Netflix
Diaspora rom-coms stopped asking permission to be funny. Newer series and films trade trauma monologues for specificity, family chaos, and aesthetics that borrow from K-drama gloss without copying the plot homework.
Image: Forbes / Hulu
A June 2026 weekend queue mixing Netflix Korean comedy action, Hong Kong Hulu drama, and comfort rewatches for viewers who want plans, not algorithms.
Image: Netflix
Husbands lands on Netflix June 19 with Jin Seon-kyu and Gong Myung as divorced and current husbands forced into one rescue mission when a criminal group kidnaps their wife and daughter, backed by a stacked Korean ensemble cast.
Image: Netflix / Photo via STARNEWS
Drishyam 3 begins streaming on Amazon Prime Video June 18, 2026, less than a month after its May 21 theatrical release, with Malayalam audio plus Tamil, Telugu, and Kannada dubs after crossing Rs 330 crore worldwide.
Image: Raphael Pinter / Wikimedia Commons (CC BY 2.0)
Hulu is streaming all six episodes of The Season starting June 17, a Hong Kong-set drama about elite sailing friends whose summer trip turns into betrayal, produced by SK Global and shot largely on location.
Image: Benh LIEU SONG / Wikimedia Commons (CC BY-SA 4.0)
A practical June-through-August guide to Asian and diaspora culture on the calendar: NYAFF and AAIFF dates, West Coast night markets, BTS Festa streaming, and the Goldscene watchlist picks worth queueing now.
Image: Wikimedia Commons
The first wave of NYAFF 2026 titles runs July 10–26, with Yeon Sang-ho's Colony opening, Joan Chen receiving a lifetime honor, and 50+ filmmakers set to attend across five New York venues.
Image: New York Asian Film Festival / Wikimedia Commons
Netflix series Teach You a Lesson reached No. 1 on the global non-English Top 10 three days after its June 5 debut, with 6.4 million views and No. 1 ranks in ten countries including India and the Philippines.
Image: Netflix
Creator Leslye Headland outlined four major Season 2 storylines for Manny Jacinto's Stranger, including Darth Plagueis lore and ties to later Star Wars canon, after Disney+ canceled the series in 2024.
Image: Lucasfilm / Disney+
Netflix Tudum announces Best of the Best, a dance comedy starring Maitreyi Ramakrishnan and Priyanka Kedia as childhood friends competing on a college Bollywood fusion team, streaming Sept. 18.
Image: Flexfxproductions / Wikimedia Commons (CC BY-SA 3.0)
Japanese directors led a strong Asian showing at the 79th Cannes Film Festival, even as producers face distribution pressure and flat admissions in key markets.
Image: BDS2006 (talk) / Wikimedia Commons (CC BY-SA 3.0)
Netflix's The Wonderfools is the superhero comedy-drama Cha Eun-woo finished before beginning South Korean military service in July 2025.
Image: Ten Asia / Wikimedia Commons (CC BY 3.0)
A24 has wrapped The Peasant, Dev Patel's India-shot action-thriller and the studio's first production in the country, with a cast spanning Europe and South Asia.
Image: Diliff / Wikimedia Commons (CC BY-SA 3.0)
Alexander Zverev's 2026 French Open breakthrough fits Shah Rukh Khan's Om Shanti Om monologue about desire, destiny, and the universe conspiring in your favor.
Image: sk4t / Wikimedia Commons (CC BY-SA 2.0)
Backlash around Janhvi Kapoor's role in Peddi opens a wider debate about female characters in Telugu, Tamil, and Malayalam commercial cinema.
Image: Raphael Pinter / Wikimedia Commons (CC BY 2.0)
Diana Ding founded Ding Ding TV in 2009 to give Asian American communities in Silicon Valley a stronger platform for stories and cultural perspective, work recognized in the 2026 AAPI Awards cycle.
Image: Diana Ding / Photo via Silicon Valley Business Journal
Chinese actress Xin Zhilei was cast to play Anna May Wong in a new bilingual feature, Sunset Boulevard: The Anna May Wong Story, announced by Fundamental Films ahead of the Cannes Film Market.
Image: Chas Smith / Wikimedia Commons (CC BY 3.0)
The Wrap's cast guide breaks down Mindy Kaling's new Hulu ensemble series Not Suitable for Work, following 20-somethings in a Murray Hill apartment building where neighbor groups keep colliding.
Image: William Hook / Wikimedia Commons (CC BY-SA 2.0)
Asian reality series can feel less combative than many American formats, with attention to names like Choi Mina Sue and Lee Sung-hun.
Image: JOHN K THORNE / Wikimedia Commons (CC0)
Hulu's Deli Boys received the AANHPI Storyteller Icon Award at the Philadelphia Asian American Film Foundation's inaugural benefit, tied to the show's affection for Philadelphia and its growing AAPI community.
Image: Severin Dostal / Wikimedia Commons (CC BY-SA 3.0)
Hallmark faced pushback on Hallmark's All's Fair in Love and Mahjong, with critics pointing to an awkward gap between the game's Asian roots and the leads on screen.
Image: The Housley Life / Wikimedia Commons (CC BY 3.0)
The Legend of Maula Jatt opened in Chinese cinemas in May 2026, earning early box-office traction as Pakistan and China mark 75 years of diplomatic ties.
Image: Joe Mabel / Wikimedia Commons (CC BY-SA 3.0)
In a CBC interview, Simu Liu argues that Hollywood has pulled back on Asian representation, treating Asian-led projects as too risky even as Asian and diaspora audiences keep showing up for film and TV.
Image: Gage Skidmore / Wikimedia Commons (CC BY-SA 2.0)
A compact pre-Monday streaming plan for diaspora viewers: one episode that sparks debate, one comfort watch, and one wildcard from Asian reality or rom-com lanes.
Image: Wikimedia Commons
A curated weekend queue for diaspora viewers: diaspora drama, K-drama comfort, reality reset, and comedy with teeth, all available without homework.
Image: Netflix / A24
HuffPost speaks with Beef's Korean cast and creator about the Netflix series' cultural weight, framing the show as both a tense character drama and a story rooted in Korean identity and experience.
Image: Netflix / A24
The 2026 Da Nang Asian Film Festival will launch under the theme “Bridging Asia to the World,” widening international opportunities for Vietnamese cinema and newer filmmaking voices.
Image: BDS2006 (talk) / Wikimedia Commons (CC BY-SA 3.0)
Romantic comedies from East and Southeast Asia are leaning into high-gloss production, familiar tropes, and diaspora-friendly emotional clarity.
Image: MTV International (CC BY 3.0)
In K-drama and beyond, the second lead has evolved from plot obstacle to fan favorite, often carrying the emotional intelligence a series needs to last.
Image: @_TV10 (CC BY 4.0)
From Crouching Tiger to Squid Game, Asian performers spent two decades moving from subtitled curiosity to the center of the global queue. The stats, and the faces, tell a bigger story than any single hit.
Image: Lukasz Kobus / European Union (CC BY 4.0)
Mina Park
The Goldscene Desk